Ponderosa Pines – New Book by Mark W. McGinnis

ponderosa pine coverAVAILABLE AT AMAZON.COM — http://www.amazon.com/Ponderosa-Pines-Paintings-Mark-McGinnis/dp/1497352487/ref=sr_1_2?ie=UTF8&qid=1396116160&sr=8-2&keywords=mark+w+mcginnis

This little book is a series of 24 paintings of ponderosa pines from three regions — the Black Hills, the Grand Canyon, and Idaho. It is an opportunity for me to spend time again with these trees that I have grown to love over the past 10 years. I have added some text to compliment the paintings, both reflections of mine and quotes that relate to the pines and trees.

ponderosa pine 24 - 2014-03-14 at 14-10-35 ponderosa pine 23 - 2014-03-14 at 14-21-40 ponderosa pine 22 - 2014-03-14 at 14-30-20 ponderosa pine 21 - 2014-03-14 at 14-38-21 ponderosa pine 20 - 2014-03-14 at 14-43-58 ponderosa pine 19 - 2014-03-14 at 14-48-49 ponderosa pine 18 - 2014-03-14 at 14-54-31 ponderosa pine 17 - 2014-03-14 at 14-59-12 ponderosa pine 16 - 2014-03-14 at 15-04-52 ponderosa pine 15 - 2014-03-14 at 15-13-06 ponderosa pine 14 - 2014-03-14 at 15-20-26 ponderosa pine 13 - 2014-03-14 at 15-25-32 ponderosa pine 12 - 2014-03-14 at 15-31-57 ponderosa pine 11 - 2014-03-14 at 15-39-41 ponderosa pine 10 - 2014-03-14 at 15-52-50 ponderosa pine 9 - 2014-03-14 at 15-57-47 ponderosa pine 8 - 2014-03-14 at 16-08-11 ponderosa pine 7 - 2014-03-14 at 16-14-03 ponderosa pine 6 - 2014-03-14 at 16-19-34 ponderosa pine 5 - 2014-03-14 at 16-24-39 ponderosa pine 4 - 2014-03-14 at 16-28-40 ponderosa pine 3 - 2014-03-14 at 16-34-12 ponderosa pine 2 - 2014-03-14 at 16-38-16 ponderosa pine 1 - 2014-03-14 at 16-42-33

 

 

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18 New Paintings for the Snake River Basin Project

The following are 18 new paintings for my Snake River Basin Project. They are mostly from Southwest Idaho, Eastern Oregon, and Central Eastern Idaho. All are 11″ X 14″, acrylic on 300# paper.

srb-mores creek -lr copy
Mores Creek, 11″ X 14″, acrylic on 300# paper, 2013, Mark W. McGinnis
srb-owyhee river
Owyhee River, 11″ X 14″, acrylic on 300# paper, 2013, Mark W. McGinnis
srb-malheur-south fork
Malheur River-South Fork, 11″ X 14″, acrylic on 300# paper, 2013, Mark W. McGinnis
srb-powder river valley
Powder River Valley, 11″ X 14″, acrylic on 300# paper, 2013, Mark W. McGinnis
srb-malhuer river
Malheur River, 11″ X 14″, acrylic on 300# paper, 2013, Mark W. McGinnis
srb-billingsley creek -lr
Billingsley Creek, 11″ X 14″, acrylic on 300# paper, 2013, Mark W. McGinnis
srb-malard river gorge-or
Malad River Gorge, 11″ X 14″, acrylic on 300# paper, 2013, Mark W. McGinnis
srb-1000 springs
1000 Springs, 11″ X 14″, acrylic on 300# paper, 2013, Mark W. McGinnis
srb-snake river at 3 island crossing
Snake River at Three Island Crossing, 11″ X 14″, acrylic on 300# paper, 2013, Mark W. McGinnis
srb-shoshone falls on the snake river crossing
Shoshone Falls on the Snake River, 11″ X 14″, acrylic on 300# paper, 2013, Mark W. McGinnis
srb-snake river valley
Snake River Canyon, 11″ X 14″, acrylic on 300# paper, 2013, Mark W. McGinnis
srb-spring near shoshone falls
Spring Near Shoshone Falls, 11″ X 14″, acrylic on 300# paper, 2013, Mark W. McGinnis
srb-salmon river
Salmon River, 11″ X 14″, acrylic on 300# paper, 2013, Mark W. McGinnis
srb-bruneau river canyon
Bruneau River Canyon, 11″ X 14″, acrylic on 300# paper, 2013, Mark W. McGinnis
srb-salmon river-north fork
Salmon River-North Fork, 11″ X 14″, acrylic on 300# paper, 2013, Mark W. McGinnis
srb-salmon river-north fork 1
Pahsimeroi River, 11″ X 14″, acrylic on 300# paper, 2013, Mark W. McGinnis
srb-salmon river-east fork
Salmon River-East Fork, 11″ X 14″, acrylic on 300# paper, 2013, Mark W. McGinnis
srb-lehmi river
Lehmi River, 11″ X 14″, acrylic on 300# paper, 2013, Mark W. McGinnis

21-28 Snake River Basin: A Testimony in Painting

The following eight paintings are my most recent additions to my Snake River Basin series. All but the Boise River painting are located in central Idaho, most in the Sawtooth Mountains.

srb-springs on payette river (lr)
Springs on the Payette River, South Fork, acrylic on 300lb paper, 2012, 11″ X 14″, Mark W. McGinnis
srb-boise river near 9th st bridge (lr)
Boise River Near the 9th Street Bridge, acrylic on 300lb paper, 2012, 11″ X 14″, Mark W. McGinnis
srb-payette river, south fork 2 (lr)
Payette River, South Fork 2, acrylic on 300lb paper, 2012, 11″ X 14″, Mark W. McGinnis
srb-boise river near 9th st bridge test
Redfish Lake Creek, acrylic on 300lb paper, 2012, 11″ X 14″, Mark W. McGinnis
srb-redfish lake-lr
Redfish Lake, acrylic on 300lb paper, 2012, 11″ X 14″, Mark W. McGinnis
srb-pettit lake-lr
Pettit Lake, acrylic on 300lb paper, 2012, 11″ X 14″, Mark W. McGinnis
srb-big wood river-lr
Big Wood River, acrylic on 300lb paper, 2012, 11″ X 14″, Mark W. McGinnis
srb-big wood river near headwaters-lr
Big Wood River near Headwaters, acrylic on 300lb paper, 2012, 11″ X 14″, Mark W. McGinnis

Essay: No Need For Meaning

Snake River Basin: Boise River and Willow, 11″ X14″, acrylic on 300lb. paper, 2012, Mark W. McGinnis

In reading Edward Abbey’s 1968 book, Desert Solitaire, I came across the sentence; “It is as it is and has no need for meaning.” The statement was made in regard to one of Abbey’s many reflections on the condition of the desert of the canyon land southwest.

What struck me about the statement was the universal applicability of the concept. Meaning need not be applied to pristine desert landscape with the setting sun flooding the rock with colors and value, it simply is. The same could be said for a scene described a few pages earlier in the book where he comes upon a frequent campsite that is scattered with the refuse of the people who frequented the site. Abbey described them as Slobivius americanus. I recently felt the same disgust when I was walking a favorite stretch of the Boise River greenbelt to find half a dozen plastic bottles floating in the river and human debris along the shore. Immediately negative judgments came to my mind but there is no more meaning in the garbage than in the sunset, both simply are. This very hard for me because I want to make judgments — I want to put the subjective meaning of my values on the experiences.

This has been a valued and long-standing aspect of my personality. It is certainly related to a 30 year teaching career in the fine arts, where subjective judgments were at the core of what I did every hour of my teaching day. The same mindset carried through into my personal creative life where my judgments were continually engaged to bring meaning into my art projects.

What is meaning? Is it part of the conscious process? Is it the drive to want to know why? Is it part of the associative process of thinking that helped us to survive but has now run amuck. I feel I am constantly looking for meaning to the extent that I miss want is happening now, which is the only true time there is. If  meaning is what something signifies or the purpose of something, in most cases we already have an intuitive understanding that needs little elaboration. Subjective meanings often complicate and confuse what is self-evident.

Am I finally at the point in my life that I am ready to abandon the need for applied subjective meaning and live life for what is? I hope I am. I turn on the radio and accidently hear the news (I try not listen). I hear of the massacres in Syria or a group of wealthy senators doing their best to stop 30 million poor Americans from obtaining minimal healthcare.  I want to put meaning on those events. I want to cry out against those callous, unfeeling, barbarians in the Congress. I want to project my judgments – but why? Certainly from the perspective of the big picture (the Earth, the Universe) they are miniscule if not meaningless. I am miniscule from that vantage point as well. I simply am – another little piece of cosmic dust very temporarily arranged in this organic arrangement, albeit with the blessing or curse of consciousness. Is that a bleak or fantastic view of existence? One part of me knows that all is simply a long, long unfolding of energy and matter. The ego part of me wants to scream out, “No! No! I am much more than that.” It is hard for me, and I think many others, to accept our place in this universe. But the tiny bits of wisdom that others have gifted to me want to say, “To be a part of this cosmic story, no matter how small, is miraculous beyond comprehension.”

I have come to the conclusion there is no meaning other that the unfolding of cause and effect. When I accept this, the question then arises if anything in our lives matter if they have no deeper meaning than cause and effect? (This question has been asked by some of the greatest minds in history and I feel rather sheepish posing it.)  How should I live my life if this is true? This a recurring question of my musings over many years. My life is as much part of a series of cosmic cause and effects as was the Big Bang. By my decisions, and those imposed on me, I shape my place in this system and by my existence I infinitesimally change the system. It simply “is.”

I have come to believe that as I move through the unfolding of cause and effect I should try to make it as pleasant an experience as possible for me, those around me, and the rest of existence. Not because it gives meaning, but because it creates pleasure and harmony — or is that meaning? It makes this short time I have a joy rather than a sorrow. This may seem a rather simplistic, hedonistic life view but it is not as easy as it sounds. For some reason my mind often focuses on sorrows rather than joys and spreads those sorrows to others. If I can leave the subjective meanings my mind behind and focus on what “is” in the moment — as the cause and effect unfolds — I have a much better chance of making that moment pleasant for myself and others.  Why not?

Post Script:  A short story related to littering mentioned early in the essay. Many years ago I had group of art students in a secluded valley of Northeastern South Dakota. We were going to do some watercolor sketching. It was a beautiful spring day and we were along the stream that ran through the valley. There a wonderful, water-loving yellow flower was profusely blooming along the banks. Unfortunately the area was also profusely littered with cans, bottles, wrappers, and other garbage. I was outraged that such beauty would be tarnished by human disregard, and my mood sunk and I grumbled and grumbled to myself. As I was walking around checking on where my students were settling in to do their painting I noticed one of the students (the most punked-out student of the bunch as it was during those years) had set aside his materials and was walking around making piles of the garbage to facilitate easier clean up. It was a revelation to me that instead of getting angry and complaining, the best reaction to the moment was what the student was doing.  I am not always successful living what I know, as I wasn’t earlier in this essay, but when I remember that student, it is a lesson to me to not project meaning or judgment and just do what needs to be done.

© 2012 Mark W. McGinnis

Willows and Boise River Black Ink Paintings

The graceful similarity of willow leaves to bamboo leaves has often caught my eye. I finally decided to take action on the observation and what medium could better for such an endeavor than black ink. The following six paintings are the results.

Willows & Boise River #1, hand-ground black ink on mulberry paper, 9″ X 12″, 2012, Mark W. McGinnis
Willows & Boise River #2, hand-ground black ink on mulberry paper, 9″ X 12″, 2012, Mark W. McGinnis
Willows & Boise River #3, hand-ground black ink on mulberry paper, 9″ X 12″, 2012, Mark W. McGinnis
Willows & Boise River #4, hand-ground black ink on mulberry paper, 9″ X 12″, 2012, Mark W. McGinnis
Willows & Boise River #5, hand-ground black ink on mulberry paper, 9″ X 12″, 2012, Mark W. McGinnis
Willows & Boise River #6, hand-ground black ink on mulberry paper, 9″ X 12″, 2012, Mark W. McGinnis

The NEW Snake River Basin Series

Yes, the NEW Snake River Basin Series. I am afraid the PREVIOUS Snake River Basin Series, consisting of large scale multi-panel pieces, was too much for my physical limitations and I have had to revision my approach. This new series will all be 11″ X 14″. acrylic on 300# paper. The Snake River Basin encompasses most of Idaho, and parts of Wyoming, Nevada, Oregon and Washington. It is my hope to sample much of this region in the coming years.

Snake River Basin: Payette River, South Fork, 11″ X 14″, acrylic on 300# paper, 2012, Mark W. McGinnis
Snake River Basin: Salmon River, Near Headwaters, 11″ X 14″, acrylic on 300# paper, 2012, Mark W. McGinnis
Snake River Basin: Lower Salmon River, 11″ X 14″, acrylic on 300# paper, 2012, Mark W. McGinnis
Snake River Basin: Jordan Creek, 11″ X 14″, acrylic on 300# paper, 2012, Mark W. McGinnis
Snake River Basin: Snake River in Hell’s Canyon, 11″ X 14″, acrylic on 300# paper, 2012, Mark W. McGinnis
Snake River Basin: Weiser River, 11″ X 14″, acrylic on 300# paper, 2012, Mark W. McGinnis
Snake River Basin: Payette River, North Fork, 11″ X 14″, acrylic on 300# paper, 2012, Mark W. McGinnis
Snake River Basin: Owyhee River, North Fork, 11″ X 14″, acrylic on 300# paper, 2012, Mark W. McGinnis
Snake River Basin: Little Salmon River, 11″ X 14″, acrylic on 300# paper, 2012, Mark W. McGinnis
Snake River Basin: Boise River in Flood, 11″ X 14″, acrylic on 300# paper, 2012, Mark W. McGinnis